In the House of the Hangman 1513

But you can’t expect the milk to be delivered to your house by a bluebird from the picture book you looked at / at the age of four: there is no margin of doubt to this reverse power. Fly up and pow apart. We are not bad people. We build butter towers and are influenced by the great liars of the world and we love the secret lives of plants and we come to find out, in the moving school, that they were just generally going for their thing; but getting caught up in the analytic pause of the little animal songs that Pete Seeger recorded. I’m touching your ear. Is it ok to touch your ear? I’m touching it. I’m climbing up you. I can’t tell you how much I love that. I can’t get over how I got over, given the dump truck full of cake and worms.

When i was five
i went fishing with my family
my dad caught a turtle
my mom caught a snapper
my brother caught a crab
i caught a whale

that night we ate crab
the next night we ate turtle
the next night we ate snapper
the next night we ate whale
the next night we ate whale
the next night we ate whale
the next night we ate whale the next night we ate whale the next night we ate whale
the next night we ate whale
the next night we ate whale
the next night we ate whale
the next night we ate whale
the next night we ate whale the next night we ate whale
the next night we ate whale [. . .]

The last line of the story is repeated almost endlessly or as long as the writer / reader can endure it. Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay! Okay!

[Note: Sources: Ron Padgett, “Bluebird”, “The Stature of a Libertine”, “Feathers”, in Collected Poems (thank you, Rose!); JBR, but see Nancy Frye Huth, FB post, 28 Nov 013; JBR; Fred Moten, untitled prose statement, quoted in “Fred Moten”, at Poetry Society of America; JBR (based on something daughter Rose and grandson Pace said); Tao Lin, and Janey Smith, quoted in Smith’s “No Thanks: A Simple Wish for the Ends of Alt Lit” HTMLGIANT, 28 Nov 013; Jon Cone, “The First Poem That Shall Begin The First Novel”, at A Cabinet of Ordinary Ferocities, 28 Nov 013]

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