In the House of the Hangman 241

“Hey there ‘data clump’! Yeah, you with that ‘digital plant’ on your desk, get down from your ‘general behavior (box),’ ‘lifelong debt’ is ‘bio triggering’! Comparison shopping operates at the neuronal level; synaptic plasticity in language spores ‘eternally logged in.’ Back away from your ‘colluder tool’! Corporeal logos or corporate logo, we know ourselves in ‘metered waves,’ ‘bank cabbage,’ computational biology. Not to get poetic but the ‘CSI beach’ pounds just beyond this ‘military hedge’; Target is retail experience and war, ‘deployment occurs at scented intervals.’ X infiltrates the ‘technical staff of Accepted Sanctuaries of Respite & Commonality’ and is deftly ‘handling drafts of the design.’ Y reminds us that login itself is a ‘content affirmation exercise,’ that we are ‘liquid data’ experiencing ‘ijoy’ ‘in beta.’ ‘You have (taken) my

dream face.’ Save your ‘fictive depth’, grab your ‘inner media’ and head for the hills.” A bloodline of debauched maharajas falls prey to an evil curse! A beautiful girl uses karate to retrieve a stolen idol! A dying lover plans to become a zombie! An anxious woman can’t decide if she’s animal or vegetable! A Jesus the size of a pencil lurks beneath the bed! (‘It’s not all smirky whoop’): there are STRIKING SURFACES (six of them on the hand alone, says the latest Interrogation Manual), “fuck the social order and the Child in whose name we’re collectively terrorized; fuck Annie; fuck the waif from Les Miz; fuck the poor, innocent kid on the Net; fuck Laws both with capital ls and with small; fuck the whole network of Symbolic relations and the future that serves as its prop”; why would be you be both working class and

a Conservative? Is there something wrong with you? “Up on the horse...I felt wild like the horse.” This is something Schelling struggled with especially since deep time haunted him so (as it haunts Lovecraft) - even in the later stages of his philosophy Schelling cannot forget the time before the world or the pre-godly chaos. I’m looking down and to the left in every one of these photos. I've read that looking down and to the left means you're discussing something with yourself. For a while there was a meme in contemporary theory about refusal. Bartleby appears frequently, even though he doesn’t refuse (he [merely] notes that he would prefer not to). Heaven is (almost) a word … Grab Collapse 3, read Meillassoux … Tic of early morning in Z’s testicles.

[Note: Sources: Brown thru Schneiderman: email from Clay, “SPD Recommends”, rec’d 19 Oct 010 5:01 AM. Yedda Morrison, blurb for Steven Farmer, glowball; blurb for The Blaft Anthology of Tamil Pulp Fiction: Volume 2 (ed. Rakesh Khanna); blurb for Traci O. Connor, Recipes for Endangered Species; Lewis DeForest Brown, Debris as quoted in Peter Weltner, blurb; Linda Gregerson, blurb for Jason Schneiderman, Striking Surfaces. Then to Google Reader. Lee Edelman, No Future, as quoted in Juliana Spahr, “Today, I am so loving rereading Hiromi Ito’s Killing Kanoko for CWS.”, at swoonrocket, 19 Oct 010; Richard Seymour, “A Working Class Tory is Something to Be”, at Lenin’s Tomb, 19 Oct 010; Ginger Stickney, quoting her daughter Camille, in “Blocked”, at Green Tea Ginger, 18 Oct 010; Ben Woodard, “Vibrant Matterings or Deleuze-as-Accompaniment”, at Naught Thought, 19 Oct 010; Traci Lynn Matlock, “Right now, outside my window, a parked ambulance shines its brightest red lights”, at The Noumenon Revelation, 18 Oct 010; Jodi Dean, “Refusing (no drama edition)”, at I cite, 18 Oct 010; Ted Berrigan, “Looking for Chris”, as quoted in John Latta, “Ted Berrigan’s Prose”, at Isola di Rifiuti, 19 Oct 010; JBR, note to self]

Comments

[lovely]

Oct17 Mike Sorry, we're only a sales crew of around 25, no live shows yet. But they've told us if we want the best we'll get the best!Len One good thing about scoial media players, take any one out of the party and nothing slows down. I'll probably get there around 9ish, just as things get rolling (KISS style!)

[giuseppe zanotti]

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