Dream Mile Play Time
Advanced Very High Resolution Radiometer
“The world consists of some fixed totality of mind-independent objects”
slap of a batting wind
word verification: tragista
What is to be gained
by addressing ourselves to the idea
of pure critique when it could plausibly be argued
that purity is the very problem that critique must address?
Has the laugh track disappeared from television?
What horrifies so many who look back on the seventies
is not so much what they wore
but the fact they desired to wear it
The bomb goes off in sentience
Complicities had worked the / last / grammatical particle to a fine
powder between a migratory
and a metamorphic axis
You know I had my doubts about the word “odd”
A stone “crops up”
The sky is like a grater
[Note: I mixed this from “powder” up, then “powder” down. That’s how these sources are ordered. Sources: “new arrivals” etc.: Gustaf Sobin, “Of Air Augmented”, “From A Grammarian’s Fieldbook”, in Collected Poems; Clark Coolidge, “53. Rocky Point Overture”, in The Act of Providence; Gregory Dale Adamson, Philosophy in the Age of Science and Capital; JBR, thinking about his review of the Gurlesque; Iain MacKenzie, The Idea of Pure Critique; Blogger.com; Alice Notley, “Vicious Winds of Heaven’s Judgment”, in Reason and Other Women; Hilary Putnam, Reason, Truth, and History, as quoted in Lee Braver, A Thing of This World: A History of Continental Anti-Realism; Ian Bogost’s Latour Litany Generator, in his “Latour Litanizer”, at Ian Bogost Blog, 16 Dec 09; Catherine Malabou, Plasticity at the Dusk of Writing (tr. Carolyn Shread); Michel Foucault, “On Marguerite Duras, with Michel Foucault” (tr. Suzanne Dow), in Helene Cixous, White Ink: Interviews on Sex, Text and Politics (ed. Susan Sellers); Matthew Calarco, Zoographies: The Question of the Animal from Heidegger to Derrida; James Schuyler, “Chabrier”, in Other Flowers: Uncollected Poems (eds. James Meetze and Simon Pettet)]
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