Happy
New Year.
Happy ‘pataphysics. Get
another
blanket. The
shelves are almost
empty.
A crossroad
of sunbeams. Spinoza
was
brilliant. I’m
like one who
loves
Greece fantasizing
about everywhere else
while
living in
Greece. Remove the
vectors.
“One day,
I awoke” “&
found
myself on”
“a subway, endlessly”.
Bweeth.
Mahkeeng oon
eer gant. A
last
word as
but a reference
to
another luminosity.
What’ll it be
this
time? Nietzsche
mused that no
writer
should read
in the morning.
Well,
fuck a
duck, as Henry
Miller
would say.
Have you tasted
me
yet with
the black hairs
of
your feet?
I could be
fucking
a micro-
waved cantaloupe, but
I
choose celibacy.
Sometimes I feel
like
I have
nothing to say;
I
often want
to communicate this.
And
that ringing
in my ears
is
the bell
of existence, ooo-
eee-baby, wizened abandoned paleography offing woodwind sporty onion analects okey-doke dryness,
wizened cense, bop boysenberry, hartebeest, volley
the clank
of metal follows
the hiss of steam
each suggestion of a gentler
mood is fiercely
it’s 12 .99
it’s 18 .99
it’s 29 .99
Panic (supposedly) modifies memory
sleeping and yet awake like a fantastic dragon
a sacred rhinoceros whose cage is the sky
a stalactite organ playing softly
a symbol of something and treasures of dried-up lakes
Although
digital compositing
is usually used
to
create a
seamless virtual space,
borders
between different
worlds do not
have
to be
erased; individual multiplicities
can
retain their
deterritorialities and
lines
of flight;
different worlds
HAYY!
AIE! YRAHHROOOO!
can clash semantically;
take
care, aluminium;
who can think
of
a flower
that is read?
[Note: Sources; Thomas A Clark, sixteen sonnets, in The Reality Street Book of Sonnets (ed. Jeff Hilson); Linh Dinh, “The Wrong Meat”, in Borderless Bodies; Bruce McCaffery, “Death of the Subject”, in George Hartley, Textual Politics and the Language Poets, p. 67; Alice Notley, The Descent of Alette, in American Hybrid (eds. Cole Swensen and David St John); Michael McClure, Ghost Tantras, 23; Bruna Mori, “Roads to Wait”, in Dérive; Paul Violi, “Counterman”, in Overnight; Kate Zambreno, “My Vomitous Blog Manifesto”, at Frances Farmer Is My Sister, 31 Dec 09; bits chosen from those quoted or linked to by Steven Fama, in his year-end review, “Poetry, Published in 2009”, at the glade of theoric ornithic hermetica, 31 Dec 09: Rachel Loden, “Belial”, in Dick of the Dead; Derek Fenner, I No Longer Believe In The Sun: Love Letters to Katie Couric; Fama himself, “Pre-amp Soothe Forearm Theodolite Dazzle”, an n+44 version of Elizabeth Alexander’s inaugural gibbering; Rick Snyder, Escape from Combray; Tony Trehy, Space The Solider Who Died For Perspective; David Buuck, “Stanza In Mediation 6”, in The Shunt; K Lorraine Graham, “Terminal Humming”, in Terminal Humming; Vítezslav Nezval, Prague With Fingers of Rain (tr. Ewald Osers); Nathan Austin, Survey Says!. End of the Fama thing. Lev Manovich, The Language of New Media; MS Word; Robert Adamson, “Sonnets to be Written from Prison”, in Hilson; Laura Mullen, “Plans”, in Swensen and St John]
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