(“Specifically” . . . If you are not moving around in your seat, note here that you are looking at these words while performing that specific action …)
J:
A frog
is croaking in
the
field. I
feel in limbo,
suspended
in an
unfamiliar season. L:
The
music is
there the moment
the
thought listen
for it. Where?
Somewhere
in the
distance, over my
right
shoulder. About
half a mile.
J:
under the
full moon: the
miniature
ponies are
grazing on my
potted
plants. I:
Maybe name them
Gravity
& Grace?
E: One of
my
“mantras”, those
senseless phrases I
used
to repeat
endlessly, was “una
manada
de ponies
corriendo por la
pradera” …
R:
why always…
one… (1 & 2 each walk to the other’s spot)
as by two… (1 & 2 walk back to their original positions)
[diagram]
why never (and forever)
one
as by…
oh the combos… (1-4 each walk to the middle line (each in their line spots) and
face forwards, in neutral stance)
[diagram]
the combos they’re…what are they?
not-here not-not-here (1-4 put hands out in front to grab something (once))
not-here not-not-here… (1-4 pull (swiftly) hands in back into neutral stance)
there… (2 & 4 turn and face each other (no walking))
[diagram]
I could stare…
at that stare…
perfect…
(“Specifically” . . . If you have a body, note here that you are looking at these words while having a body …)
(Don’t worry too much about what while having a body might mean …)
“Spread
your sternum
open like an
angel
is grabbing
your heart.” “Drop
your
arms and
relax. Angry people
are
inherently uglier.”
(said with a
stern
authority, broken
immediately by smiling)
The
de- / cisionism.
For my to
hell
I could
remember loose? Indeed
they were
addressing (not
met his love
was
to have
passed through the
“Ode
to daily
gel, though our
good
fortune to
spread 21. keenly,
given
defi- / nition
21 TML code,
The
waning day,
the black 21.
lying
to me
about living spirits
the
snows of
yesteryear, and I
love
everything! (also
everything biting in
this
a Visit,
and a Short
Funeral
Ode mean
you. To quote
or
badnage of
time, the bea[fitul] [tiful] [tific]???
one
will open
a of a
body.
I was
was approaching. As
if
it “HMMM”,
“HMMM”, A Moral
Lesson;
“The Ambition
of a fine
street.
Like a
vibrating … Several words
seem
could all
lection and on
everything.
I saw
a yellow I
knelt
by the
irony. Hence: “ref-
lection
and You
know [“Let it …”]
(this
then is
have all been
it
turns out,
is just this.
of
course). Some
bits are quite
bomb
or pie
in the alreadys
into
screech of
history The rock
of
flesh. Sometimes
you just have
to
stop bleeding
‘n uh the
chicken
dance.” It’s
dizzy the Dust
Blows
Back”, read,
the hardest thing
the
waves rolled
Will meaning suffice?
Abracadabra
rain! one
for or manifest
and
hidden are
one. (where (tho
I
could the
gods or laws?
You’ve
Will meaning
suffice? Abracadabra twig.
Spring?
In January?
Something must haustive)
task
of flesh.
in argh, the
pure
lyric, a
photo-Being-With:
heart
was viens
the flarfiness of
the
journey. is
fast and bulbous,
got
his own
little bones a
cough.
O Simplici-
Impossible Mourning of
dissolves
into projec-
tural as strange
and
out, is
just this. ‘love’ //
Dios
mio! River
under lots of
it,
one for
turning into is
surely
a sign
of This room
His
turquoise Han-
Shan pretty much
A
-Z. (with
an allusion a
window.
Ricture the
neck of of
obit
in the
screech of gauze,
reeking
its shape. skin is skin in
The envelope arrives;
spanning
to spread out in this from the word go
sur-vivre before
and matter how you shave
in
tired. horse. of
Abracadabra
again. begins
intoning a mad
litany
the room.”
Not To quote
can
shatter body
sense? I The
rock
has its
of light. It
smeared
the Goes
to the left
“are
you sure
you don’t love
and
*
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Does
this sound
like you? Does
this
sound like
you? If you
are
other do
you think it
matters?
Do not
art the touch
works.
“Well I
must say,” he
remarks,
“the Commander’s
right, all the
hair
’ll have
to be removed.
Meanwhile
keep wearing
your chain.” “I
don’t
understand,” said
the Sleeper. “You
don’t
understand? Of
course you don’t
understand!”
said Cole
Younger. “What of
it?”
“Why, I
don’t know,” said
the
Sleeper. “Think!”
said Cole Younger.
“I
can’t,” said
the Sleeper. Cole
Younger
laughed again,
but this time
through
his teeth.
“That’s all,” said
he.
& &
& & &
&
& they
zigzag faster than
they
eye can
see through these
particular
trees. And
further, the tapes
were
then rigorously
edited: all unnecessary
words
such as
‘the’ were removed,
as
were all
possible literary and
art
references. These
statements must be
taken
with a
grain of salt.
Only
the d__ __ __ __ __ __ __ d
sleep outside. No
destination
is the
destination of the
undestinated
of the
oval head on
the
other hand
the other hand.
a lot of purply blood in telepathy ain’t there
perhaps
possibly we are never actually in a situation exactly like the epistemological model
Does your enterprise software turn data into insight?
There
were sticks
underfoot, you could
hear
them, they
were not simple.
There
are sticks
underfoot, you can
hear
them, they
are not simple.
Trees
are whittled.
The skulls they
once
rented are
now destitute.
“Hail to You”
Bone of your arm –
…………………………… such dignity.
[Note: For Jean Vengua and Ernesto Priego.
Sources: Jean Vengua, untitled, 13 Jan 09, “under the full moon”, 10 Jan 09, at Okir; Dr. Leo Rangell, “Music in the Head: Living at the Brain-Mind Border; Part 1”, at Huffington Post, 12 Sept 06 (Thanks, Jean!); Ernesto Priego, email, 17 Jan 09; Rodrigo Toscano, “CORDONED”, in Collapsible Poetics Theater; Shin Yu Pai, “More yoga scripts”, at Makura no Soshi, 16 Jan 09; an edit of “Autopoiesis CXCV”, which is itself “a rewrite-prior-to-release of the entire text (including notes) of A Spectrum of Other Instances”; Chris McCabe, “A Quick Survey”, Birkenhead”, in The Reality Street Book of Sonnets (ed. Jeff Hilson); dunno the artist, photo by Sam Bloomberg-Rissman, sent via email about 5 minutes ago; Kathy Acker, Great Expectations; Ted Berrigan, Clear the Range; Jack Collom, “Carolina Paroquet or kelinky”, in Exchanges of Earth & Sky; Marjorie Perloff, “Afterword”, in Kenneth Goldsmith, Fidget; Fanny Howe, “The Passion”, in Gone; Heineken commercial, just aired (the Cardinals/Eagles game is on the box); Rupert M Loydell, “On & Off the Page (for Marjorie Perloff)”, in A Conference of Voices; Alice Notley,”Jone Jonah”, in Reason and Other Women, in Grave of Light; Joan Retallack, “How To Do Things With Words”, In How To Do Things With Words; Microsoft commercial (still the 1st half; Cards up 21-6); Jared Schickling, “(to grandmother’s house)”, “(butterflies)”, in Aurora; Eileen Tabios, “Hail to You”, in Dredging for Atlantis]