In the House of the Hangman 1236

I realized, however, that I do tend and have for some years tended to click my teeth or rub them gently together when taking a walk and might hold them against each other in a firm but gentle bite at times of mild, thoughtful stress. Are those clairvoyant pauses of which you speak pauses in your clairvoyance or occasional bits of unusual clairvoyancy? “We played around with little letters and little figures.” ‘He wasn’t really thinking anything, he thought.’ Yippee-ki-yay, motherfucker. Why poetry-PSST, Chief-is not no reveries hammock ein ‘ to your winged pet-PSST, great-when I play the moon to play and died-won't to do more liana-if noeis this fine otherwise, eh eh, Mayakovsky you need. Someone is smashing dishes again. Everything under control — I take a deep breath and hold it in my pubic region. Oh Nisami, you great romantic poet of the twelfth century who wrote 30,000 or 80 bazillion couplets, all of them lost! “This is the pain of living in a metropolis / Not a response dream / guns change their silhouettes / a management swan dive” … “exhaust ardour sprained the flaxen ground staff / CGI brushed steel on sedge phosphorus” … “Xylem of osmotic birdsong / Fluted each weightless undercarriage” … “One RPG is so ample wood.” I love you as a sheriff searches for a walnut / That will solve a murder case unsolved for years / Because the murderer left it in the snow beside a window / Through which he saw her head, connecting with / Her shoulders by a neck, and laid a red / Roof in her heart. At the door the wolves step backwards into a box. They put me into a coma for my own good and stored my body in a plastic box. At first my mouth formed only a zero and I was mistaken by some. The first flag: a Pharoah’s placenta. Honours in sequence, coin by degrees: clean faces bend to radiant vantage; good facts my bad mouth make out drip their science on a hairless cheek. Several days later __________. So far I think it’s an okay funny. The oneirocrites tempt the ablation of neurosemantic tilt across the median and plain float anaesthetic music. A lapidary of fluorescent Eurostan risk specs. Audiomulch is nice because you can crank the bpm down to one (or less, even); this is at 24.

FILL THE OCEAN WITH COTTON!

ALWAYS PLACE INFINITE SYSTEMS FACE DOWN.

ALWAYS PLACE INFINITE SYSTEMS.

Lengthen the runways on aircraft caviars.

Fill (simply) all cucumbers with blood.

(Emergencies should never be allowed

to become subcutaneous).

All guns (ga. . . ge. ...g. . ..gi.... gu. . g(u)on(e)s) must be

boomerangs!

Accomplish the above,

then store surplus personalities in cheese.

EVERY CITIZEN SHOULD BE GIVEN A SMALL YELLOW STEAM ENGINE!

Keep rowboat behind ear.

The amount of life in the crater is non-stop.

[Note: Sources: Steve Benson, “Never hear, never see”, at EOAGH, 17 Feb 013; JBR, in FB conversation with Deborah Poe, 12 Feb 013; Jacques Lacan, My Teaching, as quoted in Benjamin Noys, FB post, 17 Feb 013; Tao Lin, Shoplifting at American Apparel, as quoted in Jame Birch, “Talking to people and reading books”, FB post, 17 Feb 013; John McClane, every Die Hard movie (for Geof Huth); John Stigka (tr. Bing), quoted (in Greek) in Yannis Livadis, FB post, 17 Feb 013; Wang Ping, “Need for Uncertainty”, at Woodland Pattern; Ayana Mathis, Twelve Tribes of Hattie, as quoted in Susan Landers, “A few choice lines …”, at Franklinstein, 17 Feb 013; Anne Boyer, “Goethe, ‘The Reading Book,’ III from the Book of Love, from the West-Eastern Divan, at *, 17 Feb 013; Anne Gorrick, FB comment, 17 Feb 013 (referring to her age; her birthday is 18 Feb; happy birthday, Anne!); Ian Heames, Gloss to Carriers, as quoted in Louis Jagger, “Review of Gloss To Carriers, by Ian Heames (Critical Documents, 2011)”, at International Egg and Poultry Review; Kenneth Koch, “To You”, as quoted by Angela Voras-Hills, in Emily Temple, “14 Great Poets on Their Favorite Love Poems”, at Flavorwire, 13 Feb 013; Sarah Fox, “Eros, Indiscriminate”, “Coma”, “Doll Box”, “Merge”, from The First Flag, at Coffee House Press; James Wagner (?), “Unknown Origin Stories”, at Mobile, 17 Feb 013 (on Sarah Fox, The First Flag); Neil Pattison, “May Ode”, at International Egg and Poultry Review; Del Ray Cross, “mdcccxlii”, at Anachronizms, 17 Feb 013; Ryan Dobran, “from Shouts From OK Glamour”, at International Egg and Poultry Review Darren Bauler, “It’s a pretty simple layout …”, at theater of diminished faculties, 17 Feb 013; Madeline Gins, “What the President Will Say and Do!!”, TOP SECRET {CODE: after}”, in What the President Will Say and Do!!, at UbuWeb, via Anne Boyer, “Photo”, at *, 17 Feb 013; “Clouds of Ngorongoro Crater, Tanzania [postcard]”, at Matador Network, 17 Feb 013]

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Yes!

It sounds better in full.

Geof

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