In the House of the Hangman 1209

“Gestalt by any other anonymous sweetener,” as well as “a ball of nose bleeds as white as — microphones, planets in unfortunate orbit, where adults are light fixtures with “fogbow” and “infinity mists” or moments when “a nasal capillary bursts, / a cabernet stream curves / around your inferior lip.” “Everything carries the courage of Capri Sun, of string cheese” rather than being normative. “It’s like being kissed hard on the brain by an angel with a strap-on.” When my kids were little, my wife read the entire series out loud to them. One time I walked by the room and all three were weeping. “What's wrong?” I asked. “J-J-J-J-Jack died!!” More wailing. “Who’s Jack?” [Carry me along taddy, like you done thru the toy fair] “The the the the ... the DOG!” Irrevocable black, irrevocable white / … / teeth in sky / … / How many times / to be women or woman and / woman and man and / man woman / … / black milk spurt destroyed / across every straight line / … / and I’m lying there, black green and white / … / and a crest of red / bites at the head of the board / spitted fuchsia on lavender thighs. The formula is a simple quarter-power exercise: You take the mass of a plant or an animal, and its metabolic rate is equal to its mass taken to the three-fourths power. 1.5 billion pulses or heartbeats. I’ll explain how this works down below, but the point is, this rule seems to govern all life. Later I make a potion with tajá blossoms from the lagoon and I summon Cobra Norato. “I want to tell you a story. Shall we wander in those trimmed islands? Pretend there’s moonlight.” The river choked in a ravine. The road toad is spying on me. In other words, “I came to Carthage, where a caldron of unholy loves was seething and bubbling all around me.” Those with winged sexes cut their hair military style. “Fon-gu!” Winged or wingèd. It was at the far edge of the far edge. Dread snake Podiac / … / dew rat / … / … / zylocaine pontoon meat cement / … / the major hover reason major / … / lifter lace bead mega-shovel. “The historical process maximizes a hide of consensus, like these tanneries — / odiferous, outskirts — to live nearby the skinning factories / chiffon of the living, working, mouth, tongue / scudding — wet blue, blue blue sky, cascade pools, drenched splashing child / biocide: pentachlorophenol — resource demure, tissue of cells begin to hear / chromium — lungs to breathe out objects / leftover leather turned into glue —feeding on silt, feeding on bones — barbed wire / when diamond found, eye put out, hard bark, evidence bare foot, climb cliff face / difficulty of stepping back from atmosphere — elicit / osmosis through skin, woven hair, veins / components of the engine: cylinder head, valve train, / transformers to regulate light, incandescent, starlight, sun at noon / treaties remains etcetera — compression where there were terms — of / agreement where there were — the corn needs the be harvested / largest collection of Impressionists / now we make mounds of paper / laminate causation” … On this day in 1941, A Philip Randolph officially announced the March on Washington. It worked. It was part of things. OK. Time to listen to a higher-fidelity version of Beuys’ tonband in filzstapel [audio tape in stacked felt], the stummes grammophon [mute phonograph], which displays a covered phonograph record, perhaps with a recording of Beuys’ felt­wrapped piano (felt, of course, is a material known for damping sound, as it’s used around the hammers inside a piano). Though we’ll never know, because the swing­arm and needle have been replaced by a bone, bluntly inverting Rilke’s hallucinatory dream of playing the jagged coronal suture of the skull with a phonograph cartridge. Which is or is not to say that “The dynamics of low-frequency temperature anomalies depend on whether a density signature exists (Iselin 1939; Liu and Shin 1999; Schneider 1999). Temperature anomalies with a density signature are governed by planetary wave dynamics, whereas those that are density compensated by salinity anomalies behave as a passive tracer in the upper ocean. Density-compensated salinity and temperature variability is known as spiciness (Veronis 1972; Munk 1981) with hot and salty water having high spiciness ...”

[Note: Sources: Stephen Danos, Playhouse State, and Zachary Green, as quoted in Green’s “Review of Playhouse State”, at LitBridge; Chris Goode, Twitter Encomium, as quoted in Punctum Books blurb for Lauren Berlant, Desire / Love; JBR, FB comment, 25 Jan 013 (re Laura Ingalls Wilder’s Little House books); James Joyce, Finnegans Wake; Marianne Morris, “De Kooning, A Retrospective”, at The Junket, Jan 013; Robert Krulwich (and a JBR paraphrase), “Nature Has A Formula That Tells Us When It’s Time To Die”, at NPR, 22 Jan 013, via Timothy Morton, “The Mathematical Logic of Death”, at Ecology without Nature, 25 Jan 013; Raúl Bopp “Excerpt from Cobra norato” (tr. Odile Cisneros), in The Oxford Book of Latin American Poetry (eds. Cecilia Vicuña and Ernesto Livon-Grossman); JBR; St Augustine, Confessions, as quoted in Anne Boyer, “augustine: and, from a hidden hunger, I hated myself for not feeling more intensely a sense of hunger”, at *, 25 Jan 013; Cristina Rivera-Garza, “Excerpt from Third World” (tr. Jen Hofer), in Vicuña and Livon-Grossman; Clark Coolidge, “DHARMA SNOW”, in Uncollected and Unpublished Poems 1962-1968, at EPC; JBR; Brenda Iijima, Glossematics, Thus, as quoted in Michael Cross, “Glossematics, Thus”, at The Disinhibitor, 14 Jun 011, via C J Martin, “Brenda Iijima’s GLOSSEMATICS, THUS is flipping my lid”, at Rhyme Eats The Words, 25 Jan 013; Erik Loomis, “This Day in Labor History: January 25, 1941”, at Lawyers, Guns & Money, 25 Jan 013; JBR; Craig Dworkin, “JOSEPH BEUYS: Grammophon aus knochen [Record Player of Bone] (1958)”, in unheard music, at Monoskop Log; JBR; Thomas Kilpatrick and Niklas Schneider, “Generation of Low-Frequency Spiciness Variability in the Thermocline”, as quoted in JBR, FB comment, 26 Jan 013]

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