In the House of the Hangman 1208

Out on the grounds the bizarre went on and on. You were there. I was there. We were so much there that we were “There.” We felt hairy, yet, for all that, the table continues to be that common, every-day thing, wood. But, so soon as it steps forth, it stands on its head, and evolves out of its wooden brain grotesque ideas, far more wonderful than “table-turning” ever was. It is late here & the midnight howls to the lavender fields, France’s heather, to nourish the night & bed down its blooms in winter’s watchful hands of snow. This is about comic books. This is about orchis simia. Dracula gigas. “DOWN WITH HIERARCHICAL POOP, UP WITH CAPS LOCK.” Here is the recipe that earned me a dance with every woman in the ville, and the hearts of all the mothers. Flirting Abuelitas hinted I should come calling on their nietas, pressing me with photographs whose subjects were avatars for every panaderia calendar I’d ever seen except without the arrow in a breast. Ruth saw a beautiful moth on the white sloth. Toot! Toot! Thump! Thump! 3’34” of shrewdly collected silences from the lead­in tracks on ten John Cage albums from Büchler’s record collection. These grooves are like the canine musicians in Franz Kafka’s 1922 Forschungen eines hundes: “they did not speak; they did not sing; each of them re­mained silent — almost concertedly silent — but they conjured music from thin air.” That thin air, as well as the music conjured from it, is what Duchamp would term “l’inframince”, which could only approached by examples, such as “the noise made by corduroy pants”. “That’s why when in Portland, we read too much coffee man and when in NYC we read it too.” It’s like Jack says: The Darwinian environment is a robust lifestyle exposing the hashish of space to gain a hilltop on seamless mannerism, or maybe it’s more like walk until you reach the color red. You’ve looked at another person that way yourself, with nothing
but
black bank of clouds, tran-
quil waterway
earth flow overcast sky —
immense darkness
a battering of wings,
For we have stepped into the sacred areas
and wept over our waste procedures
which is will have been being our transcendence. “If artworks are alive in history by virtue of their own processual character, they are also able to perish in it … Buzz, buzz, buzz, buzz; buzz, buzzz.
Dancers shrieking one by one.
Shit / Enters into it only as an image
Blind guesses.
If it were spelled ‘mune’
I gave you [I give you] my imaginary [I mean real unfucking] hand.”

[Note: Sources: Ted Berrigan and Ron Padgett, “The Voyage of the Argonauts”, The Pastor”, “The Complete Works”, in Bean Spasms; Karl Marx, Capital (ed. Frederick Engels, trs. Samuel Moore and Edward Aveling), at Marxists.org; Marya Berry, FB post, 24 Jan 013; Robert Archambeau, FB post, 24 Jan 013; JBR; Erik H Rzepka, FB post, 24 Jan 013; msedano, “Classics of Chicana Chicano Literature. Best Restaurant in the World. Gluten-free Chicano Makes Menudo. Penultimate On-Line Floricanto in January 2013”, at La Bloga, 21 Jan 013; Julian Morgans, “All Welcome the Bomb-Sniffing Mice Infestation”, at Vice, 24 Jan 013; Craig Dworkin, “PAVEL BUCHLER: 3’34” (2006), in unheard music, at Monoskop Log; Amanda Deutch, FB comment, 24 Jan 013; JBR; Jack Kimball, “The Darwinian environment …”, at Pantaloons, 24 Jan 013; Bhanu Kapil, “Walk”, at Monster, 24 Jan 013; Ari Banias, What’s Personal Is Being Here With All of You, Yedda Morrison, Darkness, Michael Palmer, Thread, Evelyn Reilly, Apocalypso, Theodor Adorno, Aesthetic Theory (tr. Robert Hullot-Kentor), as quoted in Angela Hume, “2012 Disinhibitions: Angela Hume”, at The Disinhibitor, 24 Jan 013; Nico Vassilakis, “Spicer’s LANGUAGE (foreshortened)”, FB post, 24 Jan 013; JBR (real unfucking is also out of Spicer’s Language)]

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