In the House of the Hangman 1191

Can we engage in forms of commoning without having access to the commons, as classically understood? This gives me agita [my.breath.leaps.in.conFine.$throats]. And suddenly, and literally, “out of the Amazon,” one of the most impacted parts of our wounded planet, ayahuasca emerges as an emissary of trans-species sentience, to bring this lesson: You monkeys only think you’re running the show. Both my arms are the same length. Both my legs are horses are sacred animals, you’re both César Vallejo. How could you? How dare we? I grow hot and rare like a steak. This is the pneuma breathed by Jakob Boehme. Freudianism is an explicit and thematized archaeology. True or false: The kitchen weeps onion because the cook is dead. Chives, chives, and chives. A gratuituously ugly picture of myself. Zelda with her ezcema. Sensitive to sunlight, like the boy in Room. Footage reportedly shows a silver-coloured, three-metre long creature with huge black eyes, grasping another smaller squid in its tentacles,

pink plush / Unicorns, smashed on Paxil at the edge”

We stand in the Tundra of Lockdown

Slow
motion footage of a cymbal being struck:

Slow
motion footage of a snare drum being struck:

“In the beginning there were no orphans. G-d created the sky and the earth to serve everyone a
bounty of meals.”

[Note: Sources: Nina Power, “Essay on the Commons for law course: Is Enclosure of the Commons Complete?”, at The Hour of Power, ?? Jan 013; Jessica Brookman, comment appended to Mishka Henner, “Beef And Oil: A Bird’s-Eye View Of Two Of Modern Life’s Most Precious Commodities”, at Vice, approx 26 Dec 012; Mez, “[sw]Amps”, at Netwurker, 9 Jan 013; Dennis McKenna, as quoted in Trevor Smith, “Dennis McKenna: ‘Ayahuasca and Human Destiny’”, at Disinformation, 8 Jan 013; Tomaž Šalamun, “Cantina In Querétaro” (tr. Michael Thomas Taren), at Paperbag 4; Sally Wen Mao, “Consider the Stakes”, at Paperbag 4; Paul Ricoeur, Freud and Philosophy, epigraph to Dylan Trigg, “The Psychoanalysis of Ruins”, as excerpted at 3 Quarks Daily, 8 Jan 013; JBR; James Arthur, “The Kitchen Weeps Onion”, as quoted in Christine Baumgarthuber, “Poet-Taster (1): James Arthur”, at The New Inquiry, 7 Jan 013; Kate Zambreno, “reactive”, at Frances Farmer Is My Sister, 8 Jan 013; “‘It was shining and so beautiful’”, at The New Inquiry, 8 Jan 013; Cynthia Cruz, “Strange Gospels”, “New York State (2)”, as quoted in Dana Jennings, “Poets Who Look Death in the Eye: Poems on Mortality by C. K. Williams and Cynthia Cruz”, at New York Times, 31 Dec 012; Simon Reynolds, “drummige cru, 7”, at BLISSBLOG, 8 Jan 013; Eileen Tabios, “from ‘147 Million Orphans: A Haybun’ MMXXVII”, at On Barcelona]

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