In the House of the Hangman 1187

Chorus of Shadows

        (The Chorus is onstage as lights come up. About seven and at least two should be men. It is conceived         as  … periodically advancing into the light and then receding into comparative darkness.)

CHORUS (piano): Ee –  (Closed mouth.) M –  O – ee   O – ee   Mo –   mo –   O-ee –   O-ee –  O-ee –   O-ee –   O-ee –

CHORUS/HALF: O la klu                             Klu la o
CHORUS/HALF:                   Boo day tho                   Tho day boo day –

O la o                   la o                                         O la o                la o
                        Boo day boo           Boo day boo                         Boo day

                                    O la klu                        Klu la o
            boo –  day –                  Boo day tho                   Tho day boo day –

CHORUS: (whistle.)

CHORUS: Ma   Ma   Ah   M –   Ah   ee –   Ah – o   O – ee –

CHORUS/HALF: O –
CHORUS/HALF: Boo – day   tho – day   tho –   Boo day tho –

CHORUS: M – (Whistle.)

My dulcet feather,
If we jump up and down together,
Like this, look!
We can make the floor shake.

0-4-5-8-3
& 8
20 of course equals 79

this has been ratified
in our parking lot

“Is an emotion a resource like gold or ivory that can be extracted from one place and taken to another?”

             i : e

                           h : a

“The” becomes accusatory.

[Note: For Anne Gorrick. Sources: Harry Partch, Delusion of the Fury, libretto, in Harry Partch: Bitter Music: Collected Journals, Essays, Introductions, and Librettos (ed. Thomas McGeary); Linh Dinh, “The Wave”, as quoted in Charles Alexander, FB post, 4 Jan 013; David Harrison Horton, “5 Poems from Found Material Given by Dan Godston”, at Cricket Online, v.3 no.1; Arlie Russell Hochschild, as quoted in her Wikipedia entry; Clark Coolidge, “The Empty Equations”, in Clark Coolidge: Uncollected and Unpublished Poems 1962-1968 (ed. Clark Coolidge, Tom Orange), at EPC; Jack Collom and Lyn Hejinian, “Blanks”, as quoted in K Silem Mohammad, “Situations, Sings: Jack Collom and Lyn Hejinian”, at Constant Critic, 23 Apr 08]

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