Those who figure themselves this way have a bad and misleading Cartesian picture of the human predicament. As we have seen, the spore production of fruiting bodies, of the sexual polyp of a particular fungus, mirrors the bad air aspect, the tropical sewer of Ligotti mentioned above. What has broken is sutured [blank line] What is original breathes additional limbs [blank line] but your body greys in the crucible jungle [line of three asterisks]. Anemojens beautiful, strained, soft-opening. In stars and stars and stars. Re-occurring fixations include sleep, play, western movies, magic / control and clouds. Made from 5,000 burnt out light bulbs. That night, they had come from all over, “embracing” Friedrich Kunath’s take on Lacan’s seemingly normal hair, or dizzying themselves at Susanne Vielmetter as Melodie Mousset recreated, through the use of the ceramic wheel, “But I wore the juice!” So allow me to remind you of those words which the venerable and wise Cardinal Avelino di Portocarriere spoke in the famous Council of Melusia: “... et de fragmentus oseus lumbaris non verbalem non pensarem, conditionae humanitas Luciferica est. Et de pensarem ou parlaviem lumbarismus pericoloso et cogitandum est ...” That is, the corruption of the word Myrtle dated from the year 850 B.C. when a scholar and learned man, Abencifar ebn El Mull (whose treatise “Mirtitrología Necrófila” is an example of scientific objectivity) delivered his famous lecture on the ancient myrtle called “Concerning the ambaric uses in the villages of Tulzur.” The venerable Abencifar ebn El Mull was suffering from sniffles and a hoarse voice and when he began his allocution “and this myrtle about which I am going to speak to you in order to propagate and impel the post trepanatonial use of amber, in its presolid, elastic state ...,”; his voice was far from clear. So you made a collage oratoria. Yeah. Or specifically a proletarian collage oratorio. Uh-huh. And previously you had, with Gate Holder and Goat Shoulder, billed as “opera vérité for 2 synchronised C - 90 cassettes”, for which I think there's still – is there still a forthcoming third act of that? I haven’t ruled out the possibility that there is. There should be one. There’s supposed to be Groot Polder for tape, which is the Dutch for 'massive lake' for tape. More-or-less. Oo. But a lot of the equipment I used to do that broke shortly after, so I haven’t got the equipment I need to do that. But at some point I will do it probably, yeah. That actually reminds me of, in the ad copy which is on the website you say, “A soundtrack to the struggle fer sure, but you know, the opposite of jiggy.” Like Chuck D, “Shit I’m the REVERSE of jiggy / all that prettiness running on empty”. And I was wondering, do you feel that way about jiggy music in general, or just your use of jiggy music? Do you ever have the urge to make revolutionary jiggy music or do you feel that that’s a form beyond your capacity or to do faithfully? It’s not that. I do have the urge to make revolutionary jiggy music. Uh… [laughs] Don’t ever put that sentence in my mouth again! What the hell was I going to say? Leo X Lee leans against the right fender of the old Toyota and absent-mindedly begins scratching a face into the worn burgundy paint with the car key. It follows the contours of a pock mark in the fender and the faded color around it. Russell Wright has the hood up and is trying to angle a wrench into place behind the radiator. Leo pockets the key. The sun is not simply causative, it produces (as Elizabeth Grosz says of chance) a “superfluity … of causes, the profusion of causes, which no longer produces singular or even complex effects but generates events, which have a temporal continuity quite separate from that of their ‘causes.’” In case you were wondering, a klazomaniac is someone who feels like shouting. The sun is an attractor, as is the shade.
[Note: Sources: Galen Strawson, Selves; Ben Woodard, Slime Dynamics; Anne Gorrick, “Creation of Adam”, in I-Formation Book 1; JBR, but see previous; Arielle Guy, “Geogaophy”, at EOAGH 4; “About the Artist”, at CLOUD (re: Caitlind r.c. Brown); Lucas Chaddwick, Jr., “Less Summer, aend”, at Notes on Looking, 18 Sept 012; McArthur Wheeler, as quoted in Vaughan Bell, “The burglar with the lemon juice disguise”, at Mind Hacks, 11 Feb 2010 (tho it showed up in my Google Reader 18 Sept 012 for some reason) (“In 1995, McArthur Wheeler walked into two Pittsburgh banks and robbed them in broad daylight, with no visible attempt at disguise. He was arrested later that night, less than an hour after videotapes of him taken from surveillance cameras were broadcast on the 11 o’clock news. When police later showed him the surveillance tapes, Mr. Wheeler stared in incredulity. “But I wore the juice” he mumbled. Apparently, Mr. Wheeler was under the impression that rubbing one’s face with lemon juice rendered it invisible to videotape cameras.”); JBR; Remedios Varo, De Homo Rodans, as quoted in Carlota Caulfield, “Textual and Visual Strategies in the World of Remedios Varo”, at Corner 2; JBR; Michael Tencer, Public Enemy, and THF Drenching (Stu Calton), in “Cartoon Trumpets and Horseshit: Marx Estranged Michael: Tencer interviews THF Drenching on ‘Doomed Shop’”, at Association of Musical Marxists, 17 Sept 012; Lyn Hejinian, “Sun and Necessity”, at Floor 1; Joann Hershberger Henderson, PB comment, 18 Sept 012]
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