Disc 1: Time Perspectives; Disc 2: Mnemonics I, Mnemonics II, Mnemonics III; Disc 3: Mnemonics IV, Mnemonics V; Disc 4: II of IV, III of IV, IV of IV, V of IV, III; Disc 5: Team & Desecrations Improvisation, The Day I Disconnected The Erase Head and Forgot to Reconnect It, Jar Piece; Disc 6: Another Big Mother, Fed Back 1, Fed Back 2; Disc 7: 5000 Miles, Angel Fix; Disc 8: Bottoms Up 1, Nite, Ringing the Mods 1 Heads, Ringing the Mods 2 Tails, Three Pieces I, Three Pieces II, Three Pieces III; Disc 9: Big Slow Bog, Boone Bog; Disc 10: Bog Bog, Mind Bog; Disc 11: Mewsack, 50-50 1 Heads, 50-50 2 Tails; Disc 12: A Little Noise in the System; Red Horse Headache. Everyone has heard of the Raft of the Medusa / And if need be can imagine such a raft in the sky. Emanate a volunteer. Split in two. This is still the case if you use something. Repeat this to anyone. There is a mouthpiece for further inflation. You getting the hourly updates? Quick psa: “All your birthrights are inflammable!” “YOLO, grandma.” Smooth in Suave Professionals® Keratin InfusionTM. Receptive to bludgeoning generated by white-hot voltage, your painted mask bears no relation, I am Congolese force, I am hidden, help I, falling, imbeciles, shit, wet grass beneath the mower, fifteen thou trades at the figure. Sold. In general, maritime invaders tended to dislike sea monsters while the invaded liked them. The invaded thought the sea monsters had a soul. Trench letters do get used / eventually for poetry you / long history of nihilism / Get ready to advance don’t / everyone rattle camouflage / as if we are nothing only / company dive-bomb anxiety / A few persistent “islands” / of half inaudible whispers / jabbing the radioman Lethe. And to Private Ball it came as if a rigid beam of great weight / flailed about his calves, caught from behind by ballista-baulk / let fly or aft-beam slewed to clout gunnel-walker / below below below. “Who better than a lizard in love to tell the secrets of the earth?” The lady is walking back now. It’s awesome how homely she is. She looks like a refugee. I’m probably being politically incorrect (now I’m never gonna get hired!). I should go get some cookies. But I don’t want to get up. The pathetic efforts of this airport to do good to their customers makes me simultaneously angry and guilty and sad. Angry because I WANT TO GO HOME AND THERE IS NOTHING TO EAT HERE EXCEPT SHIT AND I HATE THIS PLACE AND WHY AREN’T THEY LETTING THE PLANE FLY OUT YET THE STORMS ARE OVEERRRRHHHH, guilty because I have been spoiled by better airports, which I am sure most of the world can’t afford to see, and now the beautiful chinese kids (twin girls and a boy) are fighting. A twin is upset because the other twin took some of “her” popcorn. The boy says it’s just free popcorn. They speak chinese and I miss cctv. KS has a tattoo of asymptotes on her arm, and asymptotes are one of my favorite analogies. Woody Guthrie had This Machine Kills Fascists writ large on his guitar.
[Note: Sources: track list for Pauline Oliveros: Reverberations: Tape & Electronic Music 1961-1970, at Pitchfork, 20 Apr 012 via Darren Bauler, “all god damned day”, at Theater of Diminished Faculties, 14 Jul 012; André Breton, “No Way Out of Here” (tr. Mark Polizotti), in André Breton: Selections (ed. Mark Polizotti); Justin Katko and Amelia Gilmore, “From Trigger Warning”, at Infinite Editions, 3 Jan 012; Jane Rave, “YOLO: THE BEST ADVICE YOU CAN GET FROM YOUR MAMA”, at Hello Giggles (YOLO = You Only Live Once), 14 Jul 012; ad at foot of previous; Brian Marley, “Three of 14”, in The Reality Street Book of Sonnets (ed. Jeff Hilson); Robert Sheppard, “The English sky wipes itself clean, in “English Poems”, in Warrant Error, in Hilson; Ian Davidson, “XXVII”, “VII”, from Harsh, in Hilson; Juliana Spahr, “After Richard Plum”, from Power Sonnets, in Hilson; Ian Keenan, untitled”, at Piri’ Miri Muli’ 14 Jul 012 (cancelled post); Susan Howe, Peirce-Arrow, as quoted in John Latta, “Susan Howe’s Peirce-Arrow (Stray Notes)”, at Isola di Rifiuti, 11 Jul 012; And to Private … below below: David Jones, In Parenthesis, at “Leave it — under the oak.”; René Char, as quoted in Ian Keenan, “Happy Bastille Day from Piri’ Miri Muli’!”, at Piri’ Miri Muli’, 14 Jul 012; Feng Sun Chen, “grendel’s cheek is at the airport”, at *, 11 Jul 012; Woody Guthrie … on his guitar: JBR, ekphrasis practiced on a famous photo (happy hundredth birthday, Woody!)]]