I count my blessings in lieu of substance. Visual sonar arrhythmia / be fair / Lemon yellow / blurs into locked-on receptor site blockade / and breaking / historic matching / is not yet rebuilt / viz it / lustful for relief / gets changed / to the mirror boy and see / cool / come / crashes into / the cool inner room / is scorched off / and in / motion / down the cancelled line and / and expectance / & prolonged action / & after and thus / a line or sequence / and will not let / by the most specific and hopeful eye / shaking his / flag / in sight of the world / system. Somewhere between Iowa and Toronto, in some nondescript hotel, I lost my little paperback copy of Meinong’s Über Gegenstandstheorie, picked up in Berlin back in 2001. “Remember that the poem, even though it is not used in the language-game of information, is composed in the language of information. I’m in thin and particular flames,” sez Graham Foust, in “To Anacreon in Heaven”. The DIY-Dada Esemplasticist refuses to allow any single system – letter, colour, shape, formal relation, politics, innovative imagistic congruence, technical difficulty, hedonism, fashion, erotics, landscaping, urban grid, sci-fi / fantasy, randomness, contempt – to dictate elements or their placing, instead rotating each through all possible systems. The zeroes count, much more than you think / you don’t think and say fuck it. So the beaten / path like an egg beaten is indistinct, what / parts once defined are, you are now / shuddering under the steel cry fork swept across / porcelain you eaten, teeth set on edge of zero. / I feel the world there. / / … / / and fire may yet often be amorous / … / Zeroes also mean jobs. It’s difficult to escape the impression that different philosophies are also different forms of jouissance. That is, if you’re not familiar with what an MRI machine sounds like, listen out for the ‘buzz plus alien tractor beam’. I was sick, sleep-deprived, hot, and had just started my period. The ur-form of the story is a competition between two magicians, one of whom transforms common objects into living beings, the other one of whom transforms common objects into superior living beings that eat the first magician’s tricks – a stone becomes a snake, for instance, while the leaf of a tree becomes an eagle that eats the snake. The cock and tame the birds than the other kind of spirit, and alert rubentique crest on the top of the mark, crocitante sound, and applauding wings, lion, wild with fear and terror among the noble and fearless, this is believed to be a strength, not easy to be worn out or reducing the hens lassescat, however, that often making. And, although every animal from sexual intercourse, and after the habit of came to be sorrowful, heart and soul, is restricted, cheers up and attests, this man alone, and the song bears witness to his ardor of spirit: but where there begins to be decrepit, and old age, to be performed, some, that he the seventh, ninth, or to the most, the fourteenth place, for the strength or weakness or strength, or even concubendi accustomed to no living thing, not deijcitur and weakened the power of nature, the egg out in the summer months, and rising star, little dogs, I suppose, from the corrupt, secretion, metabolism, or pollutions study, not the form of an oblong shape , or oval, as is usually the hens, but round and circular, yellowish in color, PALE YELLOW, yellow, varicoloured, blue light. From this it is produced the basilisk, the rule in Latin, some suppose, half the size of a triple at the top of the forehead, crowned as a king, erect, a hostile body, quivering and his eyes, which makes catching a breath of contagion.
[Note: Sources: Geraldine McKenzie, “More”, at quid 4; Tim Atkins, “On Facture by Miles Champion”, at quid 4; Graham Harman, “tomorrow”, at Object-Oriented Philosophy, 30 Jun 012; Graham Foust, at Heather Christle, 30 Jun 012; Out to Lunch, “On Esemplastic Rubbish AKA ‘Collage Aesthetics’”, at quid 4; Keston Sutherland, “Zeroes Galore”, at quid 4; Levi R Bryant, “The Affective Life of Philosophy”, at Larval Subjects, 30 Jun 012; JBR; Vaughan Bell, “Ghost image in my mind”, at Mind Hacks, 29 Jun 012 (re: Charlotte Gainsbourg’s song “IRM”); Jackie Wang, “i saw a new side of New York this last week …”, at Ballerinas Dance With Machine Guns, 29 Jun 012; Roger Gathman, “metaphysics of paper 1”, at Limited, Inc., 29 Jun 012; Levinus Lemnius, De occultis naturae miraculis dal quale è tratta la citazione di Aldrovandi di pagina 221. Si tratta una Editio ultima, prioribus emendiator & correctior (tr. Google), at Lessico / Levinus Lemnius]