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« FCF 119 | Main | Flux, Clot & Froth - Program Note, Dedications, and Acknowledgments »

Comments

Bob

Congratulations!

rebecca loudon

Violins,
like
dreams, are
suspect.

This work is vivid. Fluid. Not at all suspect. Thank you!
xor

Darrius

I'm not surprised. I srgltgue to do two a week but I think that's not an unreasonable target for me at the moment. I would suggest you do similar and not try and get back to a daily posting. It puts pressure on you AND on your readers. It takes time to read and appreciate the kind of posts you and I do and that IS what we want, to be read and not skimmed over by people every bit a busy as we are.Jim Murdochs last blog post..

Richard

Dear Friends, I should like to sbiumt a poem/verse to your worthy site sometime. Based In Melbourne your magazine should be good. Please, could you tell me , when you decide to move to non-fiction, will you have themes ?Best wishes for success.My Canadian poet friend Louisa led me to your site. Vivienne Bibby

Kimlaysha

Merry Christmas everyone! Just got home from a betuaiful candlelight service. Hanging out with son and hubby who are playing Halo, and checking on blogs. Thought I'd share a poem I wrote last Thursday for Christmas, but linked to where I posted it on another blog called Broken Believers that I occasionally contribute to. Hope all is well with everyone and you are with those you love. Peace, Linda

Polat

You already have some good (and poor) acvdie here but one thing that is seldom mentioned is Vocabulary.It is not necessary to become a sesquipedalian (someone who uses big words) in order to write good poetry. However, a good poem often hinges on its words, and finding a best word is often a matter of trial and error. The larger your vocabulary, the more choices you will have at your command.Read a lot, keeping a dictionary with you as you read. In addition to looking up the new words you encounter, you should also stop and look up familiar words that are used in different ways.

Madan

Why should poets write for other poets? Shouldn't they intassdjuet be writing the best poems they can write, for themselves, foreveryone? The poetry-for-poets, like the music-for-musicians isonly a tiny subset of an enormous universe, arguably the leastinteresting and least important. Let the abstract jackoffsincestuously laud each other's unintelligible crap; I'll take The Highwayman or even a Billy Collins meta-poem. notwithstanding.

Xiao

I sit hereWondering what might happen nextAnd thnnikig about the pastAnd remembering all the memoriesAnd to remember what I thought back thenWay back then Back then I never imaginedThat I'd be like I amWho I amWhat I amBut I'm glad I amAnd I still get that chillWhen I think aboutBack thenWay back thenBack thenWhat wonderful memoriesAnd the bad onesBut its all behind me nowBecause back then was back thenAnd now is where I amNow is where I like itNow is where I need to beIts the best place for me

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