>> and
the sensation
of being the
viscous
liquid that
roams the city
mea
culpa mea
culpa crabor librumot
boom
ça triffel
offen al havel
nar
pullenbus, suddenly
stricken – “ email me,
how
much time
do I have
for
heaven? Heaven: The Heaven Pit and Ground Seam Scenic Spot is a part of Qiyao Mountain range and the geodetic structure is located in the extension part of the upward and folded zone of Sichuan, Hubei, Hunan and Guizhou at the west edge of Wuyi Mountain-Xuefengshan Mountain folded zone in Neocathaysian structural system. The direction of structural line is NE-SW. It is a typical landform of shallow-medium cut platform peak-cluster depression. The emerged strata are the medium-thick strata in Jialingjiang formation of the lower series in Triassic system, with little thin limestone interbedding, and gradually ascended in three steps from southwest to northeast. The karst hydrogeological system of Xiaozhai Heaven Pit-Tianjingxia Ground Seamis composed of the wider valleys on its upper reaches, the gorges, water discharging holes and ground seam on its middle reaches and the underground river and heaven-window funnel on its lower reaches, the drainage area of the system is 230 km2, the height difference between the head and the tail of the system is 1700m, and the whole length from the head to the tail of the system is about 37km. The wider valley section of the upper reaches is 7.5 km long. Tongshuoba-Maochaoba Basin which was developed along the anticlinal axis is located on the peak -cluster depression in elevation of 1900-2000m, with the elevation at the valley bottom of 1710m and slope descent of 0.02. The section on the middle reaches is featured by gorges and is 13km long, the gorge is 100m-500m wide, with the cut depth of 200m-500m. This section is a section strongly affected by Shuoyuan erosion in the Quaternary period, with the slope descent of 0.04. The ground water flows into underground from several places one-odd kilometer from its lower section, water mainly flows into the black holes at the valley's bottom and always ends at these places in dry and normal-flow seasons. The compound valley section (its lower part is a screen-like valley) of Tianjingxia ground seam is 5.5km long and is a box-type valley with the width of its upper part of 200-400m and depth of 300m-400m, extending towards Chigucao dry valley with its bottom elevation of 1000m. The lower part is the “Tiangjingxia Ground Seam” with the width of top opening of 10m-30m and the width of seam bottom of 1m-15m. The depth is gradually added to 150m-229m and the width gradually gets to be narrower from its upper reaches to its lower reaches, finally, it becomes a “seam” and thus called Tianjingxia Ground Seam. The slope descent of the valley section of the ground seam is 0.07, it is the largest in this hydrogealogical system. The Tianjingxia valley, starting from the south end of Chigucao dry valley, changes into an underground river, which flows through the Xiaozhai heaven pit and ends at the outlet of Migonghe River, with total length of 7.026 km and slope descent of 0.046, this is the section of lower reaches of this hydrogeological system. The width of the underground river cavern is mostly less than 15m, but its height is over 100m. The temperature in the cavern is lower than 10 ?, annual average flow rate is 8.77 m3/s and the maximum flowrate is 174m3/s. The outlet of the underground river is located on the precipice of Migonghe River, with the waterfall drop of 46m. Xiaozhai Heaven Pit is actually a “heaven window” of the underground river on the lower reaches of this karst hydrogeological system, and is called karst tunnel. Xiaozhai Heaven Pit is close to the edge of the precipitous cliff on the right bank of deep-cut Daxi River. The elevation of the pit mouth is 1330m, and the elevation of the river bed in a shortest distance is 300m, the relative height difference between them exceeds 1000m. The measured data obtained by Wanxian hydrogeological team in 1984 indicate that the elevation of the highest and lowest points on the precipitous cliff at the heaven pit mouth is respectively 1331m and 1188m and there is an underground river flowing through the bottom of the heaven pit, with the elevation of 669m. It can be seen from this that the maximum and minimum depth of the Xiaozhai Heaven Pit is respectively 662m and 511m. In the vertical depth, Xiaozhai Heaven Pit is in double-layer structure, its upper part is a large elliptic pit, with the diameter of 537m -626m and depth of 320m, and its lower part is a vertical rectangle-like well, with the depth of 342m and mouth diameter of 357m in north-south and 268m in west-east, and at the pit bottom, there is a developed inclined slope. The total volume of the heaven pit is 119.348 mm3. Precipices stand on its all sides, just like they are cut by axe or knife. The pit is completely enclosed, if you stand at the pit bottom, you seem to look at the sky from the bottom of a well. This scenic spot is in middle subtropical warm and moist southeast monsoon climate zone, and since it is affected by the terrain rise and the general configuration of the earth's surface, the vertical climate changes greatly, the main climate of mountains is distinct and the rainfall is abundant, which make the animals and plants in middle and north subtropical zones and middle temperate zone able to live and breed. It has been proved that in this scenic spot there are 224 plant families with 1285 species, including the national Class I protected plant dawn redwood, 13 species of the national Class ? protected plants such as gingko, walnut, cucommia and so on, and 8 species of Class ? protected plants. The coverage rate of vegetation is up to 80% or more. There are the national Class I protected animal golden monkey, 15 species of Class II Protected animals such as giant salamander, otter, zibet, clouded leopard, golden pheasant, Chinese pangolin and musk deer, and 14 species of Class III protected animals. Owing to the particular geography and land form, here live many unique wild animals, including the Yang fish and glass fish in the underground river, the white tadpoles in the hidden river of the ground seam, the white crickets in deep caverns and the rare flying squirrels in the caverns, etc.
She holds a gaslight in her hand and it glows, glows just as the waterfall in the distance behind her sparkles as the waterless and illuminated water falls. If we move one of our eyes to the farthest edge of one of the holes
there was a
distributor
of uranium
open day and
night,
so they
became brilliant without
knowing
it. Since
then the phrase
“paid
content” has
been in everyone’s
tweets
and
every now and then the sound of an ambulance somewhat far away somewhat near reminds them to
because of
the
dust. “DAZZLING”
)( brine emboss fluster
outre
leap saddle
-> that gismo
=
TOAST in
discontent lacunae swan
cortices,
you know
where I’m comin
from?
I’m comin
from “whet”, “choir”,
“cola”,
“CRANKCASE”, “SECRETIVE”,
.tripping.in.a.hollow.planed.cusp], the horrors
of
your least
metonym. H says
[“find a seam,
plant
a mine,
and slip away.”]
‘Jake says the words on the Brambu
Drezi video are proto-Sumerian’
The
rain is
pouring pixels. Are
you
asking where
we’ll gather when
this
world comes
to an end?
I
love the
most naked. Even
a
fat fly
bit me. We
trekked
the horizontal
and vertical interchange.
The
androgynous, non-
colonizing energy per
formative
in nature,
articulating as well
as
blurring where
it meets the
rest
of itself,
out there in
here
in that
region of displacement
where
we walked,
we saw, pointed
to
the windows,
walked up to
the
windows, “look,
look at that
chair,
that dress,
that hat, that
plate,
those puppies,
that table, that
clock,
those shoes,
that giant aspirin,
those
movie posters,
that painting, those
books,
those watches,
that jewelry, that
vase,
those Japanese
prints, that tie,
that
scarf, those
pigments, that chess
set”
language and
music were set
down
before you,
meat, instinct, daylight ________________________________________________
an
ice cube
in a cup
that’s
dumped into
the sink. Amen.
When
a tree
trembles, two trees
tremble,
then three.
All the creatures
are
comin’ out / / (le) / jazz / sim-
ple. Touch me
you
shimmer gifts
zzar zar zzar
zar
sacri-terror
firma. This tree,
my
branch,
my field of
seeds,
my herd
of worms. A
per-
son is
set in motion
by
a group
of weathers. The
water
falls, in
big. slow. drops.
Nipple,
penis and
clitoris are cut
from
the seams
of the same
uninhabited
parentheses. And
in that sense
I
also seam
to seem, from
pillar
to post
and seam to
seam,
etc., nothing
bleeds like halloween
than
good ear
wax. Gelatinous theatre
mandala.
In dis-ray location.
Where am I? Here. But I don’t know
It well.
But to a sonic page called vertigo,
It derangement? Wo es war.
Join us and our furry little friends, speaking German rapidly.
Yes. Or ja. Now, we’re going to go on to the next question:
You will look through
a pair of objects, like lightbulbs
whose light is coming from behind them
The light that never went
The light that never arrived
They never went and never arrived; their hearts are almond seeds.
[Note: Sources: a groat’s worth of bits from Ekleksographia Wave Two: Translation Special (ed. Anny Ballardini), EOAGH, 5. And. Gladys González, “Scar” (trs. William Allegrezza and Galo Ghigliotto); Camilo Brodsky Bertoni, “The versions of silence: the rhythm of the palm” (trs. William Allegrezza and Galo Ghigliotto); Carlos Henrickson, Adjustment of Accounts XLII (trs. William Allegrezza and Galo Ghigliotto); Dennis Barone, “Lid”; Pam Brown, “Limbo Line”, “Pique”; anon, “Heaven Pit and Ground Seam Scenic Spot”, at UNESCO World Heritage; Geof Huth, “What is Given and What is Taken Away”, at dbqp, 11 Oct 09; Marco Giovenale, They were in Danger, (tr. Linh Dinh); Ernesto Priego, “West End Final: Not My Definition of ‘Free Press’”, at Never Neutral, 14 Oct 09; Jukka-Pekka Kervinen, “whet”, “choir”, “cola”, “CRANKCASE”, “SECRETIVE”; Mez Breeze, “-geo—hard—c[h]ore—“, at netwurker, 30 Sept 09; Arthur Rimbaud, “Maudlin Song” (tr. Bill Lavender); Harold Jaffe, as quoted by Chuck Richardson, and Richardson himself, comment appended to his “Jonathan Speaks: … A Reading of Joshua Cohen’s A Heaven of Others”, at Chuck Richardson, 10 Oct 09; Hank Lazer, “N13P21”; Stephen Vincent, comment to Jean Vengua, “October Rainstorm”, at Okir, 13 Oct 09; Ogonna Agu, “A Question Posed by a Kinsman to a Kinsman” (tr. Obododimma Oha); Paul Éluard, “Power of Speech” (tr. Barry Schwabsky); Celia Dropkin, “A Summer-Sonata” (tr. Yerra Sugarman). Now, to EOAGH. Arpine Konyalian Grenier, “At the First International Poetic Ecologies Conference”; Penelope Bloodworth, “A Topological Memoir”; Lynn Xu, “The Thought Did Not Bring You Closer”; Alan Sondheim, “what the wind said to the trees” (in Ekleksographia); Matt Turner, “The animalgram of the body complicates even murder in this Hogan, etcetera. But these brilliant golden curtains lack the radial anagrams found in all the comic book keys (“f-sharp”); JBR, Autopoiesis CXXV; Richard Lopez, “visual music”, at Really Bad Movies, 14 Oct 09 ; Lanny Quarles, “Spearing the New Animal in a Long Dead City”; Rachel Blau DuPlessis, “Draft 92: Translocation”; Sigmund Freud (not EOAGH); Tetman Callis, “In Working Real Life”; Kristin Gallagher, ”Then, If”; Mahmoud Darwish, “The Tragedy of Narcissus The Comedy of Silver” (tr. Fady Joudah), at Words Without Borders]
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