where
all sizes
fit something, where
the
something’s exe.cut[up]able
t (?), je sais,
it’s
obvious, this
serenity inside the
hysteresis
loop or
just exchange words /
‘why’,
‘ok’, say[s]
the word ‘number’
ha /
say[s] ‘why’
the word ‘interrogate’
[interrogates]
the word
‘disrupt’, sounds like
‘here’s
a pill
for your’ species
conceived
on the
threshold of the
Gateless
Gate, with
each heartbeat essentially
a
symbolic language,
although it is
frequently
thought of
as instrumental by
those
who practice
it. It is
a
way of
acting out and
so
saying something,
and because the
magic
is so
effective in saying
what
it does,
it is thought
of
as aimlessly
beginning again, in
the
spirit of
animals with the
daemons
of human beings inside
them,
“this phenomenon
consists of a
hallucination,
try to
break yourself against
a
sphere, a
kind of delight
which
pluralizes meaning
by gesture and
without
conjunction.” No
input file specified.
It's interesting. Things happened one at a time.
And now this is happening
It's interesting. Things happened one or more
at time. And now this is happening.
It's interesting. Things happened one at a time.
As it were. And now this is happening.
It's interesting. Things happened one at a time.
(As it were.) And now this is happening.
It's interesting. Things happened one (or
more) at time. (As it were.) And now this is
happening.
o dedi
o dada orzourav
o dou zoura
a dada skizi
o kaya
o kaya pontoura
o ponoura
a pena
poni
ge re ghi
regheghi
geghena
e reghena
a gegha
riri
menendi anenbi
embenda
tarch inemptle
o marchti rombi
tarch paiolt
a tinemptle
orch pendui
o patendi
a merchit
orch torrpch
ta urchpt orchpt
ta tro taurch
campli
ko ti aunch
a ti aunch
aungbli
used
to be
I could rub
my
eyes with
a strichnine Babylon, towering
over
the Forty
Noches of Noah-mondes ...
now,
Everything smacks
in a Hyber-
Cocktail
J’accuze-i ...
for the fastest
asses
anything glows!
And you, the
goose
who laid
the golden egg,
reply:
How hard
of hearing I
am
now, Constantly
in time to
music
that’s As
Sedimentary articulation become
the
lush agnostic
coal drowned in
the
Ydegrat Maelstrom.
Along such an
axis
(intuitive) the
extension / of a
line
drawn in
space as a
tangent
may be
said to tear
itself
apart, the
object in a
corner
conceived as
a series of
curves
standing for
the reason one
drives
to that
place determined to
show
that something
is fundamentally sound[ed].
As
water in
a glass is
tilted.
must a kind of iotacism
be proposed?
**
And another thing!
**
Or this.
This, this and this…
**
this
statue commemorating
an historic electrical
storm
represented carved
in salt on
a
plinth of
winds // itself now
stands
in
terror
of rain //
and you laugh
heartily
at its
predicament // what way
is
that to
behave? * And
the
parakeets Twitter
so beguilingly that
the
jungle bends
itself to surround
them
in an
orange-green veil.
What
does subject
mean? A knee
can
be torn
up again and
again.
oyez oyez
nearer than mitochondria
Render
and receive.
Hold. Fast interchange
of
properties: lucidity,
despair. Rebellion among
the
constellations, long
words to frighten
older
persons, a
curb to walk
on
one foot
in the gutter,
and
the other,
and the other,
and
the other.
No output file
spedivied.
MySQL Query
Error: You have
an
error in
your SQL syntax
near
“ at
line 1 / Query:
select
• the
• old brain
with
the new
brain in her
arms.
a center
with a circumference
loosely
attached. I
could scream or
cry
right now.
Why you might
ask.
But you
don’t so I
didn’t
say a
word. destitute of
earnest
about sorry
about [not] thinking
of
really what
was meant was
Alpha
input =
“hi”: “Assuming “hi”
is
a phrase –
Input interpretation: Hello.
Response:
Hello, human.”
[< wd certainly > luv
it].
all ova
the {/Ur} place. ]
=my
mind_< … > emotional,ly]frag[ged_again]
< caught … one more
time >
< way up
on way up
on
way up
on > +purRrfect_bOne_[+purRrfect_ < who’d
have
thought there’d
be so much
love
[so much
trouble] in disyah
[Note: Sources: EPC mashup #2. See EPC for links. I go A, Z, B, Y, etc til I end w/M. And, as always, and. Charles Alexander and Sheila Murphy, Prayer, Rupture, Dwelling; Mary-Anne Breeze [Mez], “RE:OPPO.S[ABLE].I.T[HUMBS]ION!!”, as quoted in Komninos Zervos, “Komninos Zervos reviews Papertiger #3”; Sean Bonney, The Commons 2; Joel Weishaus, “The Gateless Gate”; Abigail Child, Artificial Memory; result of clicking a link at Lourdes Vásquez’s website; Alan Davies, “040501”, in This Is Thinking; skipped U; Antonin Artaud, “The Return of Artaud, The Mômo” (trs. Clayton Eshleman, Bernard Bador); Edwin Torres, “GIGABYTE ME - HOW MUCH RAM IN YOUR SUMMER OF LOVE?”; Norman Fischer, “Or if due to pressure of foreclosure”; Rod Smith, “The Latest Attempt”; Jorge Guitart, “Tour Notes”; Stephen Ratcliffe, “Sculpture 15”; Michael Heller, “Winter Notes, East End”; Sina Queyras, Expressway; I skipped I; Trevor Joyce, “From a work in progress”; Nick Piombino, “Third Silent Manifesto”; Robert Kelly, “The Invaders”, “Mont Blanc”; I skipped O; Charles North, Tulips, “Sonnet”; Hank Lazer, “The Experioddicist #2”; Mary-Anne-Breeze [Mez], bits from a number of pieces found at Netwurker; Van Morrison, “Cyprus Avenue”; Bob Marley, “So Much Trouble in the World”]
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