FCF 79

where
all sizes
fit something, where

the
something’s exe.cut[up]able
t (?), je sais,

it’s
obvious, this
serenity inside the

hysteresis
loop or
just exchange words /

‘why’,
‘ok’, say[s]
the word ‘number’

ha /
say[s] ‘why’
the word ‘interrogate’

[interrogates]
the word
‘disrupt’, sounds like

‘here’s
a pill
for your’ species

conceived
on the
threshold of the

Gateless
Gate, with
each heartbeat essentially

a
symbolic language,
although it is

frequently
thought of
as instrumental by

those
who practice
it. It is

a
way of
acting out and

so
saying something,
and because the

magic
is so
effective in saying

what
it does,
it is thought

of
as aimlessly
beginning again, in

the
spirit of
animals with the

daemons

of human beings inside

them,
“this phenomenon
consists of a

hallucination,
try to
break yourself against

a
sphere, a
kind of delight

which
pluralizes meaning
by gesture and

without
conjunction.” No
input file specified.

It's interesting. Things happened one at a time.
           And now this is happening

           It's interesting. Things happened one or more
           at time. And now this is happening.

           It's interesting. Things happened one at a time.
           As it were. And now this is happening.

           It's interesting. Things happened one at a time.
           (As it were.) And now this is happening.

           It's interesting. Things happened one (or
           more) at time. (As it were.) And now this is
           happening.

o dedi
o dada orzourav o dou zoura
a dada skizi

o kaya
o kaya pontoura
o ponoura
a pena
poni

ge re ghi
regheghi
geghena
e reghena
a gegha
riri

menendi anenbi
embenda
tarch inemptle
o marchti rombi
tarch paiolt
a tinemptle
orch pendui
o patendi
a merchit
orch torrpch
ta urchpt orchpt
ta tro taurch
campli
ko ti aunch
a ti aunch
aungbli

used
to be
I could rub

my
eyes with
a strichnine Babylon, towering

over
the Forty
Noches of Noah-mondes ...

now,
Everything smacks
in a Hyber-

Cocktail
J’accuze-i ...
for the fastest

asses
anything glows!
And you, the

goose
who laid
the golden egg,

reply:
How hard
of hearing I

am
now, Constantly
in time to

music
that’s As
Sedimentary articulation become

the
lush agnostic
coal drowned in

the
Ydegrat Maelstrom.
Along such an

axis
(intuitive) the
extension / of a

line
drawn in
space as a

tangent
may be
said to tear

itself
apart, the
object in a

corner
conceived as
a series of

curves
standing for
the reason one

drives
to that
place determined to

show
that something
is fundamentally sound[ed].

As
water in
a glass is

tilted.
must a kind of iotacism

be proposed?

**

And another thing!

**

Or this.

This, this and this…

**

this
statue commemorating
an historic electrical

storm
represented carved
in salt on

a
plinth of
winds // itself now

stands

in

terror
of rain //
and you laugh

heartily
at its
predicament // what way

is
that to
behave? * And

the
parakeets Twitter
so beguilingly that

the
jungle bends
itself to surround

them
in an
orange-green veil.

What
does subject
mean? A knee

can
be torn
up again and

again.
oyez oyez

            nearer than mitochondria

Render
and receive.
Hold. Fast interchange

of
properties: lucidity,
despair. Rebellion among

the
constellations, long
words to frighten

older
persons, a
curb to walk

on
one foot
in the gutter,

and
the other,
and the other,

and
the other.
No output file

spedivied.
MySQL Query
Error: You have

an
error in
your SQL syntax

near
“ at
line 1 / Query:

select
      •      the
      •      old brain

with
the new
brain in her

arms.
a center
with a circumference

loosely
attached. I
could scream or

cry
right now.
Why you might

ask.
But you
don’t so I

didn’t
say a
word. destitute of

earnest
about sorry
about [not] thinking

of
really what
was meant was

Alpha
input =
“hi”: “Assuming “hi”

is
a phrase –
Input interpretation: Hello.

Response:
Hello, human.”
[< wd certainly > luv

it].
all ova
the {/Ur} place. ]

=my
mind_< … > emotional,ly]frag[ged_again]
< caught … one more

time >
< way up
on way up

on
way up
on > +purRrfect_bOne_[+purRrfect_ < who’d

have
thought there’d
be so much

love
[so much
trouble] in disyah

[Note: Sources: EPC mashup #2. See EPC for links. I go A, Z, B, Y, etc til I end w/M. And, as always, and. Charles Alexander and Sheila Murphy, Prayer, Rupture, Dwelling; Mary-Anne Breeze [Mez], “RE:OPPO.S[ABLE].I.T[HUMBS]ION!!”, as quoted in Komninos Zervos, “Komninos Zervos reviews Papertiger #3”; Sean Bonney, The Commons 2; Joel Weishaus, “The Gateless Gate”; Abigail Child, Artificial Memory; result of clicking a link at Lourdes Vásquez’s website; Alan Davies, “040501”, in This Is Thinking; skipped U; Antonin Artaud, “The Return of Artaud, The Mômo” (trs. Clayton Eshleman, Bernard Bador); Edwin Torres, “GIGABYTE ME - HOW MUCH RAM IN YOUR SUMMER OF LOVE?”; Norman Fischer, “Or if due to pressure of foreclosure”; Rod Smith, “The Latest Attempt”; Jorge Guitart, “Tour Notes”; Stephen Ratcliffe, “Sculpture 15”; Michael Heller, “Winter Notes, East End”; Sina Queyras, Expressway; I skipped I; Trevor Joyce, “From a work in progress”; Nick Piombino, “Third Silent Manifesto”; Robert Kelly, “The Invaders”, “Mont Blanc”; I skipped O; Charles North, Tulips, “Sonnet”; Hank Lazer, “The Experioddicist #2”; Mary-Anne-Breeze [Mez], bits from a number of pieces found at Netwurker; Van Morrison, “Cyprus Avenue”; Bob Marley, “So Much Trouble in the World”]

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