THE SEED AND THE SHACK

night sang sung sum thing arbor
             vitae they whose halves bit.  not light.  
whose was was “flesh farewell”:
                        we?
behind—a screen’s sanction carnival derives
ultimately not from a calendar
                        prescribed by church or state but
                        from a force that preexists priests
                        kings to whose superior power they
                        are actually deferring when they
                        appear to be licensing scrutiny
                —in us, harvested

their seed, many kinds—barkers! smolder that
                lived mirth noodles in strings fits mutton who
twirl knocking paper
                lanterned purple effigies hoisted
at sticks—
                        the ignitions bursting through vault

                to shine—popped—in times lent Selah,
                tis but fruit from the shittim tree.

>  RIVERS

such moments granted annihilation’s blur renewal
circling space as clouds
                packed it down—near whose river whose
ranges
south and east of the unmanned point where
                where towpaths begun but their plaza still
runs—little chaoses budding—

                like squirrel the smolder fled and withstood
                the sting that grows on back of the human
                fire loosened at the fore for exhaust animal

what was then there as ever t’was ours unfinished
turdy round things a fair a pox take em
sausages adoring the pig does not my (  ) tell you
me gouty ones be humble on this
you found me hope faith the evidence
                        of things unseen—

                whose nesting whose tree—

precious fluids fumbled we can bang as hard as we
like what the hell! the belly
                will be stuffed fake fibs freezing faggery and
farts this will last
                until (          ) is put in chains whose dead
history dies w/we?
blister bust her no me bud it’s just
                work our plans now
                are turning to.

and he from the reading’s sticky pearl ultimately,
restorative dramas
                even if not yet singalong’s comma man
who’d say
catholic pigs at some convention,
                        for fuck’s sake she
                won’t ever be english

>  RANGES

t’was when one of him stopped—leaving her
questions.  
Should them rain bowed “Girl Singing” beads that
were flaminal mysts and mysterious flamens
salted in her interstellar sweat I have, by a long and
curious experience
                found out a means to wipe me bum “droit
du seigneur” tithe “infrastructure” annates—
veil—
                at some other time before t’was
she—whose pre dict they would paper
                like he—notes to find a note’s
blood borne pitch

        bitch
of a tone’s low performance where names rolled
                let us sit here in Shade of t’wee one eyed
temple down
                even older steps

down—passed what cars now park dark in units her
                time to suspended not
says she to he—and his and so.  they’re ending.  
joined; differently.
—barkers! coat-tailed
                goats like a climax lurch onto the plaza—
bobbing
                to no rain for some no rain for some
                        time to mountain fire loosens ice
set-to-thin to spillways waiting tomorrow—and all
                this time the year’s crop will
stay inside combusting in blankets—divorced liver.

                                        notes upon Tabios’ Villa

     (By and © Jared Schickling)

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